Book Coaching for Women Over 40

WHAT IS BOOK COACHING?

How Does Coaching Work?

Each year, I have the pleasure of working with a group of dedicated women. Would you like to get on my schedule? Take a look through the offerings on the Home page and see what resonates. I take a limited number of clients at a time, but if I’m full, and we’re a fit, I will put you on the waiting list. Contact me if you have questions that aren’t answered here or under the FAQs.

I’m reviewing client applications for deadlines in June and later in 2024. Apply today to reserve your spot. A small deposit (deducted from first invoice) is required to hold your spot.

At the bottom of this page is a list of coaches and editors I recommend if my services aren’t what you’re looking for.

What Coaching Is

  • a shared creative journey with a guide who understands craft and story

  • an opportunity to deepen your writing

  • a companion to help you navigate the internal challenges writing a book evokes

  • a process to get you through your first draft (remember, without the first draft, there is no published draft!)

  • a way to help you work out story challenges early in the process

What Coaching Is Not

  • therapy

  • a guarantee of publishing

  • an MFA program

  • line editing or proofreading

  • a way for someone else to write your book

Coaching and editing are not the same thing. When you send your work to an editor, it’s as good as you can get it on your own. You’re hoping for that extra set of eyes and skills to help you see what you can’t see and to help your work get stronger. While a coach does often provide some developmental editing along the way, the coach’s primary job is to help you get you to the end of your draft. This includes help with project management, story issues, identifying target audiences and ideal readers, book cohesion and craft assistance.

A coach is in your corner. A coach believes in your story and your passion to write it. A coach also helps you cultivate the skills you need to be the writer who is worthy of the book that has chosen you.

It’s an honor for me to witness the growth of my students, clients and their books.

How Does it Work?

If we decide to work together, you’ll be sent an invoice to pay either a deposit, payment in full, or your first installment, depending upon the program you’ve chosen. Once that’s received, I will send you a Calendly link to schedule the deadlines for your program. Deadlines are scheduled on Sundays, and my goal is to return your work within 4 business days. I schedule my time carefully so I don’t overbook and can be sure to spend the time on your work that you deserve. :-)

My feedback consists of in-text notes with questions, comments, and places for deeper diving (not line-editing or proofreading), as well as a 1-2 page next steps letter to give you direction for writing forward.

If your program includes Zoom/phone calls, those will be scheduled at the appropriate time in your program.

How Do I Start?

Be sure to visit the HOME page for an overview on the packages. Each package is linked to a separate page with more detail.

When you’re ready, please fill out this short form. You can also find this form by clicking on the I’m Ready to Apply Now and Get Started! button.

There is no fee to apply. If you pay a deposit to hold your space, it will be deducted from your first payment.

The application is to help us both be sure we’re a good fit for each other. Once I review your application, I’ll contact you within five business days and then we’ll either move forward together, or I’ll recommend another coach for you. I’m a one-person operation, so please be patient.

If we decide to work together, you’ll be invoiced via PayPal.

Just like with jeans, the fit between a book coach and a client is everything.

I’m not the best coach for every writer or every type of writing.

It’s worth it to get it right.

NO REFUNDS ON PAYMENTS OR SERVICES.

COACHING IS A PERSONAL EXCHANGE OF ENERGY.

I TAKE YOUR WORK SERIOUSLY AND MAKE EFFORTS UP FRONT TO ENSURE A GOOD MATCH.

 

Meet Me.

This short video introduces you to me and my philosophy on writing and teaching.

Please visit the Laraine’s Story page, which links to my author website where you can read about my books, watch more videos, and find out more about my background.

My grief work and illustrations are showcased here.

In summer 2020, I started a ‘zine for women to write about aging, perimenopause and menopause called Hags on Fire.

(You know you want to look at that!)

 
 

Not sure about all this yet? No problem!

Click on the button below now to receive RAISE YOUR VOICE! OWN YOUR STORY!

This free 5-day challenge will help you get loud enough to silence the voices who’ve told you to stay small, so you can hear the voice of the book that’s rising up to meet you.

No obligations. Just me in your inbox with you. While you’re, you know, writing.

And taking up all the space you’ve earned.

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Genres I Thrive In:

  • literary/experimental fiction

  • hybrid work (bring me your weird!)

  • narrative nonfiction

  • essays

  • magical realism

  • memoir

  • trauma/survivor narratives

My Coaching Superpowers Are:

  • getting you unblocked

  • uncovering the heart of your story

  • helping you complete your draft

  • deepening your work

  • finding and fixing story holes

  • crafting: structure, dialogue, characterization, plotting

  • helping you form a relationship with your work

It takes both craft and art to bring a story to life.

I love working with curious, soft-hearted writers.

I combine decades of teaching the craft of writing with decades of practicing the art of writing. I understand the psychological challenges of writing a book, and I know that your book needs you as much as you need it.

Hear that? Your book is knocking at the door of your heart. Are you ready to answer?

 

Ready to apply and start the process?

Click below now!

Me trying to feed gelato to a stuffed monkey at Mohonk Mountain House in upstate New York! I will try to do a lot of things—but I’m not the best fit for every type of story or every person. I’ll respect you enough to let you know if we don’t fit.

Me trying to feed gelato to a stuffed monkey at Mohonk Mountain House in upstate New York! I will try to do a lot of things—but I’m not the best fit for every type of story or every person.

I’ll respect you enough to let you know if we don’t fit.

At the bottom of this page is a list of other awesome coaches I endorse!

WHAT I DON’T DO

Genres I don’t work in:

  • science fiction/fantasy

  • horror

  • young adult/new adult

  • romance

  • children’s literature

  • academic publications

  • poetry

  • religious fiction or nonfiction

Services I don’t offer:

  • copy editing/line editing

  • proofreading

  • dissertation editing

  • pitch track

If the message of your work is violent, misogynistic, homophobic, racist, transphobic, ageist, or ableist, I’m not the right coach for you.

Of course you can have characters and plot arcs that involve these traits. They’re part of the world. But if your work’s overarching message glorifies or reinforces these qualities as good, kindly look for assistance elsewhere.

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Process Matters

“The only way the book can be written is to set the unbook — the gilt-framed portrait of the book — right there on the altar and sacrifice it, truly sacrifice it. Only then may the book, the real live flawed finite book, slowly, sentence by carnal sentence, appear.”

— Bonnie Friedman, Writing Past Dark


Before the book arrives on the shelf, it begins in an unrecognizable form. Maybe you catch an image out of the corner of your eye. Maybe a voice whispers to you from the shadows. Maybe it’s a bar of music or a photograph or an article you read that just won’t let go. These are the signs a book is forming.

Before the book rests between its covers, it has to grow. While it’s growing, it takes many forms as it’s becoming real: wonder, flow, chaos, order, misdirections, false starts, and eureka moments. Each phase of the creative process is essential to the whole.

The writer who can embrace the totality of the writing stages is the writer who completes a book.

A book isn’t written from first word to last word, and no book is written the same way. Fortunately, there are methods to help you build a solid foundation for the world of your book, whether you’re working with fiction, memoir, or trade nonfiction.

And if you’re feeling stuck? I can help you with that. I specialize in connecting writers to the essence of their books.


Know this: your book is asking you to step up and become the writer who can write it.

Ready?

I can’t wait!

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FIERCE MONKEYS SPEAK!

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My beautiful class at the Antioch Summer Writers’ Workshop

“To expose oneself on the page can be terrifying. I felt not only safe, but positively emboldened working with Laraine. Patient and kind, she kindles the best in one’s work. Then, with a twinkle in her eye, she dares you to just set the whole thing ablaze and let the soul of it sing.”

— D. Palazzi

 

“Without a doubt, Laraine is the most generous, inspirational and challenging writing instructor I have ever met. Using provocative writing exercises, she guided me through creative discovery, helping reveal ideas and truths I had previously locked away. She challenged me to delve deeper into my story, even if it meant going into the dark hidden corners.”

— Janine Weyers

“Through Laraine’s authentic nature and ability to listen, I learned that writing is as much an act of bravery and strength as it is about being gentle and flexible. I can’t wait to be one of her students again!”

— Naomi Kaplan

 

“Laraine encourages students to dig deep. She provides original, interesting exercises designed to pull past the first obvious idea and find the more compelling material underneath. She is as invested in students’ work as the students themselves.

— Janet Burruel

 
A much younger Keezel and I at Ocean Beach in San Francisco!(Yep, I could have photoshopped the date off, but I kept it. I’ve been around awhile. No need to hide it. I was 42 then!)

A much younger Keezel and I at Ocean Beach in San Francisco!

(Yep, I could have photoshopped the date off, but I kept it.

I’ve been around awhile. No need to hide it. I was 42 then!)

 
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Keezel falling between the cushions at Mohonk Mountain House!

 
Keezel hanging with a friend!

Keezel hanging with a friend!

 
Keezel at the Omega Institute in Rhinebeck, NY! He enjoys offerings!

Keezel at the Omega Institute in Rhinebeck, NY! He enjoys offerings!

 
Contemplative Keezel.

Contemplative Keezel.

 
A tribe of the monkeys I give out at my retreats!

A tribe of the monkeys I give out at my retreats!

 

WHY MONKEYS?

Besides the fact that the word ‘monkey’ makes you smile, what do monkeys have to do with writing?

 In 2007, my husband and I were at a family reunion in northern California. We took a trip to the Santa Cruz boardwalk where I spotted a stuffed green monkey hanging by his long arms at a dart booth. I had to have that monkey. Right then.

After a few very expensive games of darts, the monkey was mine. My father-in-law named him Keezel and before long, Keezel began to chat us up as if he’d known us for lifetimes.

Relevant backstory: I love puppets, and I’ve done lots of work with puppet therapy helping kids work through grief in therapeutic settings. This makes me unable to hold a stuffed animal and not somehow animate it.

Keezel developed his own personality quickly, and on a whim I decided to take him to my workshops. He made his debut at Kripalu in January of 2008, and little did I know he’d be the hit of the retreat!

Something about his smile or his essential green-ness made people laugh and feel safe, and then, when they’d relaxed, they could clear some of the blocks they’d built up around their own writing hearts.

Keezel brought a lightness and a sense of play to my work. He sparked magic in people. He helped us not be so serious all the time so we could be, well, serious about what matters, and he guided us away from too much thinking so we could be surprised by feeling. And surprise and discovery, Fierce Monkeys, is the fire that stokes a writing life. Stories evoke emotion. So, we best feel some ourselves.

Keezel makes an appearance at all my retreats now. He sets a whimsical tone so that together we can journey to the necessary depths to create meaningful, authentic stories. And he loves to dance to Prince. He’s partial to the electric guitar solo in “Let’s Go Crazy”. And sometimes he recites the deep wisdom of 80s songs in the form of spoken word poetry, too.

But there’s more than Keezel to the whole monkey-dom here. Monkeys figure prominently in literature and in the Chinese Zodiac (and yes, I was born in 1968, the Year of the Monkey!)

Monkey qualities in the Chinese Zodiac include mischievousness, cleverness, and curiosity. Monkey-folk are playful problem solvers. They are intuitive, ambitious, and good time managers, but above all—they are persistent.

You’ve no doubt heard the adage: Given enough time, a monkey could type out Hamlet. Well, maybe or maybe not. But the writer who doesn’t quit will write much more than the writer who gets up and shifts gears every time a new shiny thing enters the room.

In Hindu mythology, Hanuman the monkey-god is a pivotal character in the Ramayana. He is the god Rama’s best friend, ally and devotee. Hanuman is a symbol of the unlimited power that lies unused within each of us. He perfectly exemplifies devotion—through laser-sharp focus, he finds freedom. Hanuman surrenders himself to something larger.

Writers do this every time we sit down at the keyboard. We have to get out of our own way so that whatever Stories are calling to us can come in. We are in service to and alliance with our writing.

What can writers learn from actual monkeys (260 known species!) on planet Earth?

Monkeys are curious. What’s that storyline about? Who are you? Why are you in my story? What does that image have to do with anything? Writers need to follow the questions to find the heart of their work. Writers who know everything don’t get very far.

Monkeys persevere. You want the super-secret to writing? Butt in chair. Write. Repeat. Revise. You’re welcome.

Monkeys take care of themselves. It is not selfish to take care of yourself first. It’s not unfair to others to cultivate space and time to do your work.

Monkeys are playful. You know. All work and no play makes Jane a dull girl. But maybe not that extreme.

Monkeys are omnivores. Of course you can be a vegetarian or a vegan. Writers need to be omnivores of experiences. We need to examine everything we encounter with an open heart and then decide what will best nourish us. We never know what will spark the story.

Monkeys are crazy flexible. I can’t stand on my head, but it’s cool if you can. Flexibility in writing comes from understanding how to adjust and realign when something isn’t working. Our lives are not stagnant. Neither is our writing practice. 

And yeah, the word monkey makes you smile. It’s a whole lot easier to write when you’re smiling. I’m smiling right now just thinking about you smiling! In a totally non-creepy way.

Come on, you’re never to old to play!

Yes, Laraine! I’m curious! I’m flexible! I’m persistent!

I also want to know more about how you work with writers!

I don’t know for sure about coaching, but I know I’ve got a story to tell and I’m ready to commit to taking up all the space and making all the noise necessary to bring it to the world!


Excellent! I hoped you’d say that! (can you hear me cheering?)

Click below for RAISE YOUR VOICE! OWN YOUR STORY!

This 5-day free challenge will help you get out of your own way so you can hear the voice of your story that is on its way to you! (that’s right — to you!)

Recommended Coaches

If I’m not a fit for you, or I’m full, check out my friends who coach in a variety of genres—many of which I am not good at! Lucky for you, they are! I do not get kickbacks from them. I just recommend them.

There’s more than enough love to go around!

Listed in alphabetical order.

Julie Artz (specializes in Middle Grade, Young Adult, and memoir, but will also take adult fantasy, women's fiction, and nonfiction)

Jen Braaksma (specializes in Young Adult, Middle Grade, fantasy and memoir)

Chelsey Clammer (specializes in editing, proofreading, creative nonfiction, essays, resumes, academic writing)

Heather Ezell (specializes in Young Adult, Middle Grade, memoir, and Pitch Wars)

Donna Goodin (specializes in women’s fiction, magic realism, historical fiction, fantasy. Works in both English and Spanish)

Kelly Hartog (specializes in women's fiction, romance, mysteries, thriller, memoir)

KC Karr (specializes in Middle Grade, Young Adult, Women’s Fiction, Romance, Thriller, Sci-Fi, Fantasy, and more! At this time she is not coaching non-fiction or memoir.)

Erin McCabe (specializes in historical fiction—all subgenres including YA, and anything with a badass female protagonist)

Michele Orwin (specializes in fiction and memoir. No vampires or serial killers!)

Sarah Beth Williams (specializes in women’s fiction, all ages of fantasy (adult, Young Adult, and Middle Grade), and some nonfiction. Also works with books from a Christian perspective. No zombies, vampires, pandemics or serial killers!)